Cat Moore Printmaker
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About Cat Moore Printmaker

Current shows, exhibitions and bio

 
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Hi, I’m Cat.

I’m a self taught linocut printmaker, based in Orkney but hailing from the hills of Northumberland.

You will find me, sketchbook in hand, perching on the shoreline, amongst the rocks, in a field or up a hill, capturing what I love about the landscape: the look and the feel of the place, the undulations of the hills, the understanding which can only come from long hours of observation, and a deep sense of belonging.

Most of my work is based on the world around me, though I have been known to stray into folklore. I’m a keen storyteller (and listener) and this makes its way into all of my prints: from capturing the feeling of the wind through a series of undulating lines, to making marks to recreate the sense of lightness as you emerge from a forest into the open air.

For me, printmaking is an ongoing discussion between the immediacy of an image, and the way it is expressed through line, marks, colour and composition. I am always learning, always surprising myself, and in love with the whole great big adventure of it all.

I hope you enjoy it too.

 
Cat Moore Studio desk chair artist studio

Studio & Practice

Whatever it is, the way you tell your story online can make all the difference.

cat moore printmaker gallery self portrait

Galleries, Shows and Exhibitions

Whatever it is, the way you tell your story online can make all the difference.

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Contact

Whatever it is, the way you tell your story online can make all the difference.

Featured in…

Issue 326, May/June 2021

Issue 326, May/June 2021

Country Diary 29th September 2018

Country Diary 29th September 2018

Issue Two, 2017

Issue Two, 2017

Thursday 29th November 2018

Thursday 29th November 2018

Instagram

I’m so behind. Anyone who is still waiting for me to send them their 1/many postcard, I will be printing them early next week. With apologies. A few weeks ago we started a very big, extremely costly, utterly exciting and completely, consuming
Ceasefire NOW No more murdered children. No more destroyed hospitals. No more separated families, cities of tents, famine, disease, fear, death stalking at random through a population of innocent people. ENOUGH This is a follow on from my post yest
Back from the worst illness I have had in a long, long time. Whilst I lay in bed, I read the news and was brought over and over again to tears: of loss for people I’ve never met, of anger that this is happening, of frustration that it is happ
Happy spring to you all. The equinox has blown in on a gale today, and we’ve become island-bound, surrounded by crashing waves. Between the showers the sun has been out, and though the wind is cold it hasn’t dulled the promise of spring a
Printed. Thanks so much for all the love you guys have shown my naked young lady chasing a salmon. She’s now been made good using leftover ink on remaining scraps of Zerkall paper. I think I’ve got 10 decent copies to become my offering f
“If all the young men were like fish in the water How many young girls would undress and dive after?” I was idly listening to today’s prompt for #folksongfebruary, Hares on the Mountain, trying to come up with some way to carve a h
One (or two) of those moments when things just don’t quite go right. I’ve been trying to play along at home with @matpringle’s #folksongfebruary challenge since the beginning. Most days I don’t manage to fit in any time at a
Between High Walls Edition of 10 Hand pulled using oil based ink on Japanese Hosho paper Wandering through the concrete remnants of the watchtowers, searchlights, stores and gun emplacements left here in the aftermath on the Second World War is one
Gathering Stormclouds Edition of 50 Oil based ink on Japanese Hosho paper The solid concrete lookout tower at the top of one antler of our island, looking out to sea through lidless eyes since 1940. These buildings fascinate me: their permanence, e